Hoffman, Eds, Roman in the Provinces: Art on the Periphery of Empire, Boston, MacMullen Museum of Art, 91-107. James, S.T., 2014, 'The "Romanness of the Soldiers": Barbarized Periphery or Imperial Core?' in L. James, S.T., 2015 'Visual competence: in archaeology, a problem hiding in plain sight,' Antiquity 89:347, 1189-1202. You dont need to have that book but it will. Rebay-Salisbury, Eds, Oxford Handbook of the European Iron Age, Oxford, OUP (digital publication Sept. These songs are intended to support my book The Art Of Accompaniment On The Guitar. 'Warriors, war and weapons, or: arms, the armed, and armed violence', in Colin Haselgrove, P.S. James, S.T., 2019, The Roman Military Base at Dura-Europos, Syria: An Archaeological Visualisation, Oxford, Oxford University Press. Simon James has conjured up an eerie world of pure escapist sound for this fever dream of radio waves and half heard transmissions. Krmnicek (eds), 2020, The Oxford Handbook of the Archaeology of Roman Germany, Oxford, Oxford University Press. The site has details about Simon James Gilpin, a British-born landscape painter currently residing in Yukon, Canada. 'From phantom town to maritime culturaI landscape and beyond: Dreamer's Bay Roman-Byzantine 'port', the Akrotiri peninsula, Cyprus, and Eastern Mediterranean maritime communications,' Levant.
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